Was following up on the Cosby link, from FAST, & noticed this painting in the sidebar. Well, sometimes I miss seeing your paintings that used to show up in my email, yet never thought, Just go to the site! Duh...my head is frequently buried in the sand, I think.
d2 is right, definitely icing ! It is a luscious painting.
What amazes me is how, IMO. the success of the whole painting turns on those 3 splashes of bright red. (But of course, you knew that.)
"Best Buds"
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Click Here to Bid
I've gotten a few emails since I left from those who ordered books and say
they look good and that Blurb got them out quickly and well ...
Crib Recall
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*Drop Side Cribs*
Retrieved by Pat Darnell and Brothel Furniture Dusters Guild
Baby Crib Recall -- Very Tragic -- Millions of Cribs Recalled
Visit msnbc.c...
The Bad News is.....Getting Better?
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*So...picking up where I left off...*
*In Mr. Kagan's article, "Planning Victory in Afghanistan", he first makes
clear the necessity of not allowing the co...
GRAVITY FREE is a unique multidisciplinary design conference. Every May, in a design-rich location, hundreds of designers from around the world gather to share two and a half days with the most passionate designers, design thinkers, and innovators on the planet. GRAVITY FREE is inspiration. It's a “why” conference, not a “how to” conference. The speakers are the change-agents of the world. In the past we've invited to speak such important designers and thinkers as Tucker Viemeister (Oxo Goodgrips kitchen tools); Ron Pompei (Urban Outfitters and Anthropologie stores); Chip Conley (boutique hotels like The Phoenix in San Francisco, based on psychographics of magazines like Rolling Stone); Homaro Cantu (leader of the molecular gastronomy revolution and inventor of the edible menu); Freddy Justen (innovative communications storytelling at international trade fairs); Aldo Cibic (co-founder of the Memphis Design movement in Milan); Deborah Sussman (legendary 1984 Olympics graphic designer) to name just a few.
Coming someday
Live feed to Jockey Lot Student Loans, Student Grants, Paypal Lazik Surgery in the US Flood Gauge Fusion
Shards of Quantitative Evidence that leave Open Sores!
Constant Comment for Tea Sippers Aggies are Number 10 ...and, Much, Much More!
Project Management of Converging conflicts and the Boondoogle Factor Metaphor is Mightier than the Pen is
New Blogger Welcome Wagon: Welcome to the neighborhood Philanthropy of Microcosm Stores Love is Music in search of a Word; and versa visa...
"Can you Hear me Cow?" "I want to consider this question in relation to one specific area- the contemporary government of disorders of desire. Not disordered desire in the sexual sense – which, despite the colonial ambitions of psychoanalysis, was never more than one small corner of the empire of desire.
I want to consider those other forms of disordered desire known as cravings and addictions - disorders that Mariana Valverde (1999) has termed ‘diseases of the will’ ...I am interested in the mutations that may be occurring in our ways of thinking about and acting upon these pathologies in the context of recent developments in the life sciences and biomedicine - the decoding of the human genome, the new neuroscientific knowledges of the brain and its mechanisms..." (Rose, Nikolas; October 2001)
"That sounds about right for you, Pig."
Published as The neurochemical self and its anomalies, in R. Ericson, ed, Risk and Morality, pp. 407- 437. Toronto: University of Toronto Press, 2003
3 comments:
Since they earn, at the best, thirty dollars a month, I'm guessing cargo.
I want to eat the paint from your paintings like cake icing.
Thank you for your fine tuned parallel culinary description... I think.
Cargo is right for ten points...
Was following up on the Cosby link, from FAST, & noticed this painting in the sidebar. Well, sometimes I miss seeing your paintings that used to show up in my email, yet never thought, Just go to the site! Duh...my head is frequently buried in the sand, I think.
d2 is right, definitely icing ! It is a luscious painting.
What amazes me is how, IMO. the success of the whole painting turns on those 3 splashes of bright red. (But of course, you knew that.)
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